Kisapmata, directed by Mike de Leon and written by Mike de Leon, Clodualdo del Mundo Jr., and Raquel Villavicencio, is a psychological movie. It's a film that stays with you long after the credits roll. It's a chilling portrait of a Filipino family trapped in a web of control and fear. Dadong, the patriarchal, is a man whose authority is absolute, and his dominance over his wife, daughter Mila, and Mila's new husband, Noel, is both terrifying and heartbreaking. Kisapmata masterfully highlights the toxicity of a household, the father have a full control over everything including decision-making, and domestic abuse.
The film doesn't shy away from the ugliness of the situation. We see Mila trembling before her father's rage, a clear reminder of the power dynamics at play. It's like watching a slow-burning fire, where every scene reveals another layer of manipulation and abuse. It's not just the physical violence that's disturbing, but the way Dadong's control extends to every aspect of their lives, from their choices to their emotions.
Kisapmata is a powerful reminder that even in modern times, the remains of patriarchal systems can still be found in families and communities around the world. The film's firm portrayal of Dadong's absolute power serves as a wake-up call, urging us to recognize and challenge these oppressive structures. It's a film that makes you think about the importance of equality and respect, not just within families, but in society as a whole. The nature of a patriarchal household in kisapmata where the father's control extends to every aspect of family life. It is crucial for us to recognize and challenge these oppressive structures to foster environments where equality and respect succeed. Let Kisapmata serve as a powerful reminder and create a world where every individual's voice is heard and valued.
Reference
Solar Films. (2024, June 2). KISAPMATA | Full Movie | Suspense Drama w/ Charo Santos, Jay Ilagan, & Vic Silayan, by Mike De Leon. Youtube.
https://youtu.be/bzFQtB6fVT8?si=LTT_XWon2WEvLMZj
